It should therefore be pointed out that any differences of sound or mood which may occasionally seem to affect the singing, or give the impression of the singers being further away, are due to the singers’ position on the stage. The entire version is built around a selection of the best interpretations from the last two performances recorded live at Teatro de la Zarzuela in Madrid, on 26 and 28 October, 2001. For historical and conceptual reasons, each of the three acts is preceded by different examples from Corselli’s version of the opera, which was presented in Madrid in 1738. The present recording of Vivaldi’s opera Farnace is the first complete recording, including all the arias and choruses from the 1731 version, as well as restoring Tamiri’s recitativo accompagnato from the 1738 version.
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